{"id":1068,"date":"2017-05-30T11:56:22","date_gmt":"2017-05-30T10:56:22","guid":{"rendered":"http:\/\/www.restellini.com\/publications\/"},"modified":"2018-03-22T19:17:37","modified_gmt":"2018-03-22T18:17:37","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.restellini.com\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<div   class='avia-fullscreen-slider main_color   avia-builder-el-0  el_before_av_section  avia-builder-el-first  container_wrap fullsize'  >\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_fullscreen-79d9a904488c1e851fd455163515a70b\">\n#top #wrap_all .avia-slideshow .av-slideshow-caption.av-av_fullscreen-79d9a904488c1e851fd455163515a70b__0 .avia-caption-title{\nfont-size:60px;\ncolor:#ffffff;\n}\n#top .avia-slideshow .av-slideshow-caption.av-av_fullscreen-79d9a904488c1e851fd455163515a70b__0 .avia-caption-content{\nfont-size:19px;\ncolor:#b5b3b5;\n}\n#top .avia-slideshow 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itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 66.666666666667%;'><li style='background-position:center center;' data-img-url='https:\/\/www.restellini.com\/wp-content\/uploads\/2015\/02\/Marc-Restellini.jpg' class='avia-slideshow-slide av-av_fullscreen-79d9a904488c1e851fd455163515a70b__0  av-single-slide slide-1 slide-odd'><div data-rel='slideshow-1' class='avia-slide-wrap '   ><div class='av-slideshow-caption av-av_fullscreen-79d9a904488c1e851fd455163515a70b__0 caption_fullwidth caption_center caption_center_framed caption_framed'><div class=\"container caption_container\"><div class=\"slideshow_caption\"><div class=\"slideshow_inner_caption\"><div class=\"slideshow_align_caption\"><h2 class='avia-caption-title '  itemprop=\"name\" >Publications<\/h2><\/div><\/div><\/div><\/div><\/div><\/div><\/li><\/ul><\/div><\/div>\n<div id='about'  class='avia-section av-av_section-d7c885037b94ede2878809b79b8eb277 alternate_color 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itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>On this page you will find some of Marc Restellini&#8217;s most outstanding publications over the last 20 years.<\/p>\n<p>Please contact us if you wish any further information.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_half-9497bbf8bff73ea4c6992cc17fa9ec36\">\n.flex_column.av-av_one_half-9497bbf8bff73ea4c6992cc17fa9ec36{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_half-9497bbf8bff73ea4c6992cc17fa9ec36 av_one_half  avia-builder-el-4  el_after_av_one_full  el_before_av_one_half  first flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-0716ca73acb3e66faa96f8ccdd605d59\">\n.avia-image-container.av-av_image-0716ca73acb3e66faa96f8ccdd605d59 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https:\/\/www.restellini.com\/wp-content\/uploads\/2017\/05\/publications-restellini-80x80.png 80w, https:\/\/www.restellini.com\/wp-content\/uploads\/2017\/05\/publications-restellini-300x300.png 300w, https:\/\/www.restellini.com\/wp-content\/uploads\/2017\/05\/publications-restellini-36x36.png 36w, https:\/\/www.restellini.com\/wp-content\/uploads\/2017\/05\/publications-restellini-180x180.png 180w, https:\/\/www.restellini.com\/wp-content\/uploads\/2017\/05\/publications-restellini-120x120.png 120w, https:\/\/www.restellini.com\/wp-content\/uploads\/2017\/05\/publications-restellini-450x450.png 450w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_half-9c1d454dc06f7247226bc4e8f931daae\">\n.flex_column.av-av_one_half-9c1d454dc06f7247226bc4e8f931daae{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_half-9c1d454dc06f7247226bc4e8f931daae av_one_half  avia-builder-el-6  el_after_av_one_half  avia-builder-el-last  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2\">\n#top .av-special-heading.av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2{\npadding-bottom:10px;\nfont-size:30px;\n}\nbody .av-special-heading.av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n#top #wrap_all .av-special-heading.av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2 .av-special-heading-tag{\nfont-size:30px;\n}\n.av-special-heading.av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2 .av-subheading{\nfont-size:15px;\n}\n\n@media only screen and (min-width: 480px) and (max-width: 767px){ \n#top #wrap_all .av-special-heading.av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .av-special-heading.av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2 .av-special-heading-tag{\nfont-size:0.8em;\n}\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-3c49b05ef2c1eb7bc74414e92d86d5c2 av-special-heading-h3 blockquote modern-quote modern-centered  avia-builder-el-7  el_before_av_textblock  avia-builder-el-first  av-inherit-size'><h3 class='av-special-heading-tag'  itemprop=\"headline\"  >Main publications<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong><strong>Author and Publishing director<\/strong><br \/>\n<\/strong><\/p>\n<p><strong><em>About Modigliani<\/em><\/strong><\/p>\n<ul>\n<li><em>Portraits et paysages chez Zborowski, <\/em>\u00e9ditions Carrefour Vavin, Paris, 1988.<\/li>\n<li><em>Modigliani, <\/em>catalogue des expositions au Japon 1992-1993, Ma\u00efnichi, The Tokyo Shimbun, 1992.<\/li>\n<li><em>Exposition Modigliani et ses amis, <\/em>Japon, 1993-1994.<\/li>\n<li><em>Les Peintres de Zborowski \u2013 Modigliani, Utrillo, Soutine et leurs amis<\/em>, Fondation de l\u2019Hermitage, Lausanne, 1994<\/li>\n<li><em>Modigliani, Soutine, Utrillo e i pittori di Zborowski,<\/em> Palazzo Vecchio, Florence, edizioni Marsilio, 1994<\/li>\n<li><em>Modigliani et son \u00e9poque, Paris 1910-1920<\/em>, \u00e9ditions Art Life, Tokyo, 1997<\/li>\n<li><em>L\u2019Ange au visage grave<\/em>, \u00e9ditions Skira\/Seuil, Mus\u00e9e du Luxembourg, Paris, 2002<\/li>\n<li><em>Modigliani, The Melancholy Angel<\/em>, \u00c9ditions Skira\/Seuil, Mus\u00e9e du Luxembourg, Paris, 2002<\/li>\n<li><em>Amedeo Modigliani, L\u2019Angelo dal volto severo<\/em>, Palazzo Reale, Milan, Skira, 2003<\/li>\n<li><em>Amedeo Modigliani et Jeanne H\u00e9buterne<\/em>, Goyan Aram Art Gallery, Cor\u00e9e du Sud, Culture Books, 2008.<\/li>\n<li><em>Modigliani et H\u00e9buterne, le couple tragique<\/em>, The Tokyo Shimbun, 2007.<\/li>\n<li><em>Modigliani et le primitivisme, <\/em>The National Art Center et The National Museum of Art, Osaka, Nikkei Inc., Tokyo, 2008<\/li>\n<li><em>Le Silence \u00e9ternel \u2013\u00a0Modigliani \u2013 H\u00e9buterne, 1916-1919, <\/em>\u00e9ditions Pinacoth\u00e8que de Paris, 2008. Suivi du Catalogue raisonn\u00e9 de l\u2019\u0153uvre peint et dessin\u00e9 de Jeanne H\u00e9buterne.<\/li>\n<li><em>La Collection Jonas Netter\u00a0\u2013\u00a0Modigliani, Soutine et l\u2019Aventure de Montparnasse, <\/em>Pinacoth\u00e8que de Paris, Paris, 2002<\/li>\n<\/ul>\n<p><strong><em>Other artists<\/em><\/strong><\/p>\n<ul>\n<li><em>Picasso intime,\u00a0<\/em>Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Skira, 2004<\/li>\n<li><em>Soutine,\u00a0<\/em>Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2008<\/li>\n<li><em>Georges Rouault, les chefs-d\u2019\u0153uvre de la collection Idemitsu,\u00a0<\/em>Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2008<\/li>\n<li><em>Valadon \u2013 Utrillo\u00a0: Au tournant du si\u00e8cle \u00e0 Montparnasse \u2013 de l\u2019impressionnisme \u00e0 l\u2019\u00c9cole de Paris<\/em>, Paris, Pinacoth\u00e8que de Paris, 2009<\/li>\n<\/ul>\n<p><strong>Articles<\/strong><\/p>\n<ul>\n<li>\u00ab\u00a0Modigliani, ses m\u00e9c\u00e8nes, ses marchands, ses collectionneurs\u00a0\u00bb in\u00a0<em>Modigliani au Japon<\/em>, 1992-93, p.\u00a046-51<\/li>\n<li>\u00ab\u00a0Zborowski, marchand et po\u00e8te\u00a0\u00bb, L\u2019\u0152il, juillet-ao\u00fbt 1994, p. 52-59<\/li>\n<li>\u00ab\u00a0Il clima artistico di Parigi tra il 1910 e il 1925. Modigliani nel cuore degli anni folli\u00a0\u00bb, in\u00a0<em>Amedeo Modigliani<\/em>, Lugano (Suisse), p. 55-86<\/li>\n<li>\u00ab\u00a0Kiki, une reine\u00a0\u00bb in\u00a0<em>Kiki reine de Montparnasse<\/em>, \u00e9ditions Art Life, Tokyo, 1999<\/li>\n<li>\u00ab\u00a0Roy Lichtenstein\u00a0: Evolution \u2013 Une exposition manifeste pour l\u2019ouverture\u00a0\u00bb in\u00a0<em>Roy Lichtenstein, \u00e9volution<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Fundaci\u00f3n Juan March, 2007<\/li>\n<li>\u00ab\u00a0Pollock et le chamanisme, pour une relecture\u00a0\u00bb in<em>\u00a0Jackson Pollock et le Chamanisme<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2008<\/li>\n<li>\u00ab\u00a0Pr\u00e9face\u00a0\u00bb in\u00a0<em>Les soldats de l\u2019\u00e9ternit\u00e9, l\u2019arm\u00e9e de Xi\u2019an<\/em>, Paris, Pinacoth\u00e8que de Paris, 2008<\/li>\n<li>\u00ab\u00a0Pr\u00e9face\u00a0\u00bb in\u00a0<em>Atelier Man Ray, Unconcerned but not indifferent<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ La Fabrica Editorial, 2008<\/li>\n<li>\u00ab\u00a0L\u2019\u00c2ge d\u2019Or hollandais de Rembrandt \u00e0 Vermeer\u00a0\u00bb in\u00a0<em>L\u2019\u00c2ge d\u2019Or hollandais \u2013 de Rembrandt \u00e0 Vermeer avec les tr\u00e9sors du Rijksmuseum<\/em>, Paris<em>,<\/em>\u00a0\u00e9ditions Pinacoth\u00e8que de Paris, 2009<\/li>\n<li><em>\u00ab\u00a0Edvard Munch ou &#8221; l\u2019Anti-Cri\u00a0&#8221;\u00a0\u00bb\u00a0<\/em>in<em>Edvard Munch ou \u00ab\u00a0l\u2019Anti-Cri\u00a0\u00bb,\u00a0<\/em>Paris, Pinacoth\u00e8que de Paris, 2010<\/li>\n<li>\u00ab\u00a0L\u2019or des Incas. Origines et myst\u00e8res\u00a0\u00bb<em>\u00a0in L\u2019or des Incas. Origines et myst\u00e8res<\/em>, Paris, Pinacoth\u00e8que de Paris, 2010<\/li>\n<li>\u00ab\u00a0La naissance d\u2019un mus\u00e9e\u00a0\u00bb in<em>\u00a0Les Esterh\u00e1zy- Princes collectionneurs &#8211; La naissance d\u2019un mus\u00e9e,\u00a0<\/em>Paris, Pinacoth\u00e8que de Paris, 2011<\/li>\n<li>\u00ab\u00a0Introduction\u00a0\u00bb in\u00a0<em>Le voyage imaginaire d\u2019Hugo Pratt<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Casterman, 2011<\/li>\n<li>\u00ab\u00a0La naissance d\u2019un mus\u00e9e\u00a0\u00bb in\u00a0<em>Les Romanov, Tsars collectionneurs \u2013 l\u2019Ermitage, la naissance d\u2019un mus\u00e9e imp\u00e9rial<\/em>, Paris, Pinacoth\u00e8que de Paris\/ The State Hermitage Museum, 2011<\/li>\n<li>\u00ab\u00a0Ilone et George Kremer, H\u00e9ritiers de l\u2019\u00c2ge d\u2019Or hollandais\u00a0\u00bb in\u00a0<em>Ilone et George Kremer, H\u00e9ritiers de l\u2019\u00c2ge d\u2019Or hollandais<\/em>, Paris, Pinacoth\u00e8que de Paris, 2011<\/li>\n<li>\u00ab\u00a0Giacometti et les \u00c9trusques, la confrontation entre deux mondes\u00a0\u00bb in\u00a0<em>Giacometti et les \u00c9trusques<\/em>, Paris, \u00e9ditions\u00a0<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pinacoth%C3%A8que_de_Paris\">Pinacoth\u00e8que de Paris<\/a>, 2012<\/li>\n<li>\u00ab\u00a0Les Masques de jade mayas\u00a0\u00bb in\u00a0<em>Les Masques de jade mayas<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2012<\/li>\n<li>\u00ab\u00a0<em>&#8221;\u00a0<\/em>Expressionismus &amp; Expressionismi\u00a0<em>&#8220;<\/em>, Berlin-Munich 1905-1920. Der Blaue Reiter vs Br\u00fccke\u00a0\u00bb in\u00a0<em>\u00ab\u00a0Expressionismus &amp; Expressionismi\u00a0\u00bb, Berlin-Munich 1905-1920. Der Blaue Reiter vs Br\u00fccke<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2012<\/li>\n<li>\u00ab\u00a0R\u00eaves de Japon\u00a0\u00bb\u00a0 in\u00a0<em>Vincent Van Gogh, r\u00eaves de Japon<\/em>, Paris, Pinacoth\u00e8que de Paris, 2012<\/li>\n<li>\u00ab\u00a0L\u2019Art nouveau, la r\u00e9volution d\u00e9corative\u00a0\u00bb in\u00a0<em>L\u2019Art nouveau &#8211; la R\u00e9volution d\u00e9corative<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Skira, 2013<\/li>\n<li>\u00ab\u00a0Tamara de Lempicka, la reine de l\u2019Art d\u00e9co\u00a0\u00bb in\u00a0<em>Tamara de Lempicka, la reine de l\u2019Art d\u00e9co<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Skira, 2013<\/li>\n<li>\u00ab\u00a0Hiroshige, l\u2019art du voyage\u00a0\u00bb in\u00a0<em>Hiroshige, l\u2019art du voyage<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Gourcuff Gradenigo, 2013<\/li>\n<li>\u00ab\u00a0Introduzione\u00a0\u00bb in\u00a0<em>Edvard Munch<\/em>, G\u00eanes, Palazzo Ducale\/ 24 ORE Cultura, 2013<\/li>\n<li>\u00ab\u00a0La dynastie Brueghel\u00a0\u00bb in\u00a0<em>La dynastie Brueghel<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Gourcuff Gradenigo, 2014<\/li>\n<li>\u00ab\u00a0Goya et la modernit\u00e9\u00a0\u00bb in\u00a0<em>Goya et la modernit\u00e9<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Gourcuff Gradenigo, 2014<\/li>\n<li>\u00ab\u00a0Chu Teh-Chun, les chemins de l\u2019abstraction\u00a0\u00bb in\u00a0<em>Chu Teh-Chun, les chemins de l\u2019abstraction<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Gourcuff Gradenigo, 2014<\/li>\n<li>\u00ab Le K\u00e2ma-S\u00fbtra &#8211; Spiritualit\u00e9 et \u00e9rotisme dans l&#8217;art indien \u00bb\u00a0 in<em>\u00a0Le K\u00e2ma-S\u00fbtra &#8211; Spiritualit\u00e9 et \u00e9rotisme dans l&#8217;art indien<\/em>, Paris, Pinacoth\u00e8que de Paris, 2014<\/li>\n<li>\u00ab\u00a0Pr\u00e9face\u00a0\u00bb in\u00a0<em>L\u2019art de l\u2019amour au temps des geishas<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Giunti Arte Mostre Musei, 2014<\/li>\n<li>\u00ab\u00a0Introduction\u00a0\u00bb in\u00a0<em>Le mythe Cl\u00e9op\u00e2tre<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ Gourcuff Gradenigo, 2014<\/li>\n<li>\u00ab\u00a0Au temps de Klimt, la s\u00e9cession \u00e0 Vienne\u00a0\u00bb in\u00a0<em>Au temps de Klimt, la s\u00e9cession \u00e0 Vienne,<\/em>\u00a0Paris, \u00e9ditions Pinacoth\u00e8que de Paris\/ 24 ORE Cultura, 2015<\/li>\n<li>\u00ab\u00a0Le Pressionnisme\u00a0\u00bb in\u00a0<em>Le Pressionnisme 1970-1990 &#8211; Les chefs-d&#8217;\u0153uvre du graffiti sur toile de Basquiat \u00e0 Bando<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2015<\/li>\n<li>\u00ab De Rubens \u00e0 Van Dyck \u2013 Les Chefs-d&#8217;\u0153uvre flamands de la collection Gerstenmaier\u00a0\u00bb in\u00a0<em>De Rubens \u00e0 Van Dyck \u2013 Les Chefs-d&#8217;\u0153uvre flamands de la collection Gerstenmaier<\/em>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2015<\/li>\n<li>\u00ab\u00a0Les Secrets r\u00e9v\u00e9l\u00e9s du Codex Atlanticus\u00a0\u00bb, in\u00a0<i>L\u00e9onard De Vinci, il genio : les secrets r\u00e9v\u00e9l\u00e9s du Codex Atlanticus<\/i>, Paris, \u00e9ditions Pinacoth\u00e8que de Paris, 2015<\/li>\n<\/ul>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - 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